Anthology (cover)

Forty track digital only Hunters and Collectors album released in 2015.

Released In: [Australia / NZ].

Release Date: 20 August 2015.

Australian Chart Position: [Did Not Enter].

Availability: Moderately common. Available new in digital form.

Value: A$20-A$22.

Track Listing(s)

Legend:

 Commercial single.
 Promotional single.

Version: Liberation Records Australian download album.

Total album length: 177 minutes, 0 seconds.

ReplayGain loudness: N/A.

1. World of Stone 
2. Talking To A Stranger
3. Alligator Engine
4. Skin Of Our Teeth
5. Sway 
6. Judas Sheep 
7. I Believe
8. The Slab
9. Little Chalkie
10. The Way To Go Out
11. 42 Wheels
12. Carry Me
13. Say Goodbye
14. Throw Your Arms Around Me
15. Everything’s On Fire 
16. Dog
17. This Morning
18. Inside A Fireball
19. January Rain
20. Do You See What I See?
21. Still Hanging ‘Round 
22. What’s A Few Men?
23. Under the Sun
24. Back On The Breadline 
25. When the River Runs Dry
26. Blind Eye
27. The Way You Live 
28. Head Above Water 
29. Holy Grail
30. True Tears of Joy
31. We The People 
32. Where Do You Go? 
33. Hear No Evil
34. Easy 
35. Back In The Hole
36. Wasted In the Sun
37. Suit Your Style
38. She’s Not Fooling Around
39. Long Way To the Water
40. Know Your Product

Original studio source of the songs on these compilation albums:

• World Of Stone EP (attached to most Hunters And Collectors CD’s) contains:
  • World of Stone
• Hunters And Collectors contains:
  • Talking To A Stranger
  • Alligator Engine
  • Skin Of Our Teeth
• The Fireman’s Curse contains:
  • Sway
  • Judas Sheep
• The Jaws Of Life contains:
  • 42 Wheels
  • The Way To Go Out
  • I Believe
  • Betty’s Worry or The Slab
  • Carry Me
  • Little Chalkie
• Human Frailty contains:
  • Say Goodbye
  • Throw Your Arms Around Me
  • Dog
  • Everything’s On Fire
  • This Morning
• Living Daylight EP (attached to most Human Frailty CD’s) contains:
  • Inside A Fireball
  • January Rain
• Fate / What’s A Few Men? contains:
  • Do You See What I See?
  • Under The Sun
  • Still Hanging ‘Round
  • What’s A Few Men?
  • Back On The Breadline
• Ghost Nation contains:
  • When The River Runs Dry
  • Blind Eye
  • The Way You Live
• Cut contains:
  • Head Above Water
  • Holy Grail
  • True Tears Of Joy
  • We The People
  • Hear No Evil
  • Where Do You Go?
• Demon Flower contains:
  • Easy
  • Back In The Hole
• Juggernaut contains:
  • Wasted In The Sun
  • Suit Your Style
  • She’s Not Fooling Around
  • Long Way To The Water
• Mutations contains:
  • Know Your Product (originally on the Earth Music compilation)

Review

They are anthems for a generation, songs that define an era in Australian music.

“The real essence of rock music,” Mark Seymour pondered at the end of 1983, “it’s just passion, it’s just really pure.”

More than three decades later, that statement is a neat summation of the new Hunters & Collectors collection, which is simply titled Anthology.

These 40 songs tell the tale of a remarkable 18 years, from the band’s early alternative days at St Kilda’s Crystal Ballroom – when Rolling Stone dubbed them “white punks on funk” – to their years as a touring machine, playing to the suburban masses in sweaty beer barns.

“We felt that if we couldn’t convey something to normal people who work nine-to-five then we might as well forget it,” Mark Seymour explained in 1985.

This was an Australian band unlike any other. Their unforgettable debut single, “Talking To A Stranger”, was inspired by Charles Baudelaire’s “The Albatross”; the timeless “Throw Your Arms Around Me” is the Aussie classic that was recorded three times but was never a big chart hit; “The Slab” is an ode to onanism; while a song about Napoleon’s chef, “Holy Grail”, ended up becoming a footy anthem.

Mushroom Records started a new subsidiary, the White Label, to sign Hunters & Collectors. The band demanded artistic control. Mushroom boss Michael Gudinski famously likened dealing with them to dealing with the Communist Party.

This is a story of egalitarianism. The collaborative energy of a rumbling rhythm section and the blistering Horns of Contempt, with songs that captured the brutal beauty of the Australian landscape.

“We’ve always aimed to sound Australian,” Mark Seymour noted in 1986. Drummer Doug Falconer called it “The Great Aussie Tug”, referring to the roaring backbeat necessary in a pub environment.

For a generation of punters, these songs provided the soundtrack to their gig-going years. A Hunters & Collectors gig was a tribal experience. Paul Kelly remembers seeing the band in the ’80s, when they were “gathering an army”.

“Their audience was mainly young men, hungry for devotion,” Paul observed in his memoir. “Hunnas had a big, fat industrial bass sound, an anthemic horn section, and their singlet-clad singer, as fit as a trout, held nothing back.”

At the start of the ’90s, asked how he would like to be remembered, Mark Seymour responded: “I suppose if there is one thing that I’d like to be remembered for artistically, it’s getting all those people singing, ‘You don’t make me feel like I’m a woman any more.’”

Hunters & Collectors were Australia’s Last Great Pub Rock Band.

“They defined new parameters for Australian music,” critic Toby Creswell wrote when he was editor of Rolling Stone. “And Mark Seymour’s lyrics captured the Australian experience in a way no other writer has.”

Anthology – culled from the band’s nine albums – follows the Hunnas’ live re-formation, which coincided with the chart-topping tribute album, Crucible, and saw the band perform at the AFL Grand Final and do shows with Bruce Springsteen and the E Street Band and The Rolling Stones. The tour won the 2014 Helpmann Award for Best Australian Contemporary Concert, but the band is adamant there will be no new Hunters & Collectors albums.

This is it. And Anthology shows why Hunters & Collectors mattered – and why they still do.

Liner Notes

No liner notes – digital only.