Michael Gudinski: record industry mogul who lived and breathed Australian music until the end

An obituary for Michael Gudinski featuring Hunters and Collectors references.

Author:  Andrew Stafford, The Guardian.

Date: 3 March 2021.

Original URL: https://www.theguardian.com/music/2021/mar/03/michael-gudinski-record-industry-mogul-who-lived-and-breathed-australian-music-until-the-end

 

Article Text

Michael Gudinski: record industry mogul who lived and breathed Australian music until the end

Obituary: the polarising but passionate co-founder of Mushroom Records championed the careers of Kylie Minogue, Jimmy Barnes, Archie Roach and Paul Kelly, and put Australian music on the world stage

Michael Gudinski dies aged 68

Australian music legend Michael Gudinski, who died on 1 March 2021 at the age of 68, was most commonly described as ‘larger than life’ or a ‘force of nature’.

For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music.

Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life in Australia changed in a profound way when Mushroom Records – the label he co-founded in 1972 – released Skyhooks’ first album Living in the 70’s (complete with its errant apostrophe) a couple of years later.

Living in the 70’s topped the charts for four months, selling 240,000 copies. Beyond the sales, the album changed perceptions of what Australian music could be. Many of the lyrics (by bass player and songwriter Greg Macainsh) were hyper-local to Gudinski’s beloved Melbourne.

In many ways, the album was a reflection of Gudinski himself: brash, hyperactive, coarse (more than half its tracks were banned from airplay), unapologetic and funny. It helped that it was released just as the music television show Countdown first appeared in Australian lounge rooms, with the support of Ian “Molly” Meldrum propelling Skyhooks to stardom.

Michael Gudinski, Kylie Minogue, Molly Meldrum and Tina Arena in December 2017.

Over the next decade, Mushroom released dozens of albums that presented their own interrogations of Australian life, from the Models’ Local &/Or General (1981) to the Triffids (Born Sandy Devotional, 1986), Hunters & Collectors (Human Frailty, 1986), the Go-Betweens’ 16 Lovers Lane and the Church’s Starfish (both 1988).

Gudinski also threw his weight behind transformative Indigenous artists Archie Roach and Yothu Yindi, whose careers have left an immense cultural legacy. And when Jimmy Barnes was struggling in the wake of Cold Chisel’s breakup, it was Gudinski to whom he turned for help launching his solo career. It turned him into Barnsey: an even bigger star.

Other Mushroom alumni included Renée Geyer, the Sports, Sunnyboys, New Zealand expatriates Split Enz and Scottish band Garbage. But Gudinski’s biggest success story by far was Kylie Minogue, whom he signed to Mushroom as a teenager. Minogue quickly outgrew her suburban soap origins to become a global dance music icon, selling more than 70m records worldwide.

Michael Solomon Gudinski was born in Melbourne on 22 August 1952, to Russian-Jewish migrants Kuba and Nina. He promoted events in Melbourne, staging the Sunbury festival in 1972, before launching Mushroom. In 1979 he launched the juggernaut touring agency Frontier, which Billboard ranked the third-largest promoter in the world in 2018.

In 1993 Gudinski sold 49% of the Mushroom Records label to News Ltd (now News Corp) and the remaining 51% stake in 1998, while keeping the Mushroom Group name. Subsidiaries of the group include the Harbour Agency and Liberation Music, which includes Dan Sultan and Julia Jacklin on its roster, and heritage label Bloodlines, which houses Barnes and Roach.

Gudinski was most commonly described as “larger than life” or a “force of nature”. The Hunters & Collectors’ singer Mark Seymour wrote in his memoir Thirteen Tonne Theory how Gudinski jumped all over his desk while browbeating the band for their signatures. “The guy was a nut,” Seymour wrote. But they ended up calling him “God”.

Many recalled his loyalty to artists. In his second book, Working Class Man, Barnes wrote that artists were “nurtured and given time to find their feet”. Few benefited from Gudinski’s patience more than Paul Kelly, who had two failed albums with his band the Dots before establishing himself in 1985 with his debut under his own name, Post, the first of a run of several classics for the label.

International artists also remembered Gudinski with fondness and good humour. In a statement released on Tuesday, Bruce Springsteen wrote: “Michael always spoke with a deep, rumbling voice, and the words would spill out so fast that half the time I needed an interpreter … He was loud, always in motion, intentionally (and unintentionally) hilarious, and deeply soulful.” Springsteen said he had never met a better promoter, describing Gudinski as “first, last and always a music man”.

Michael Gudinski (bottom right) with (L-R) Nic Cester (Jet), Andrew Stockdale (Wolfmother), Kasey Chambers, Victorian premier John Brumby, Mark Seymour (Hunters & Collectors), Tim Finn and Mark Pope at the MCG in Melbourne in February 2009. Photograph: Julian Smith/AAP

In his later years Gudinski could still be spotted in Melbourne clubs catching shows, scouting for the next big thing. His final gig was Midnight Oil at the Enmore Theatre in Sydney last Friday, with Frontier staging the band’s Makarrata Live tour.

There was an irony in this. Gudinski and Midnight Oil, the most self-consciously Australian band of all, did not always got along so well: “We had our ups and downs back in the day,” the group acknowledged on Twitter. But, they said, his “passionate advocacy for Australian music was never in doubt”.

Gudinski is survived by his wife Sue, son Matt (executive director of Mushroom Group since 2013), his singer-songwriter daughter Kate, grandchildren Nina-Rose and Lulu, and about 200 Mushroom Group employees.

 

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